It’s like making a movie. You’ve got to take in and let out as many layers as you can. You’re trying to make it as lifelike as you can, but you still want to capture as much of what’s on the page as you can.
The challenge of recording video on a mobile device is you’re shooting from a first person perspective, not a first person perspective from a very close perspective. If you want to see what happened behind you, maybe you don’t want to be very far away. With the video and the audio, there’s this tension about if you don’t see exactly what’s going on, then you might miss that. It’s something that if I’m not there, it affects the experience. To be able to have someone look at it and say “wow, it’s so lifelike” or “it’s so lifelike, I don’t even want to talk about it.” You don’t want that; it is so painful.
AVC: How did you come up with these characters? When you’re doing voice-over with the animated shows, can we watch those and see the actual animation?
JL: We work with a company that is doing animations of people that were in the animated shows, and we do voiceovers for them. I have no idea who they are. So we get them through an email, and we say, “Hey, let’s get this guy in the animation.” Then we get him into the audio booth and we have him speak, and we record everything while we’re putting our faces out, which is kind of nice. The guy can’t see it, but people can. I don’t want to get too detailed, but he’s an animal that was in the animated shows to get the idea across. When people read his character, it’s “Haha, these are pretty cool.”
AVC: That could be really difficult. In real life, can you really do that?
JL: Sometimes I don’t do that much work. If they ask me to put my face out there and to just start screaming, I’ll just do it. It depends on the person. One guy would not have any problem doing it, and one guy I was a little worried for in the beginning. But it’s not all that uncommon for people. One guy does a bit every night, and we talk every day. If it’s just one guy’s personality
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