The answer for myself is: if you’re looking for a high-quality and affordable video camera, a good-quality or near-professional digital camera makes more sense. But if you want to take advantage of video editing software and cameras in general, buying a high-output video camera makes more sense, too.
What is a video camera? The term “digital camera” can be misleading. It is not something that the majority of cameras are. There are various types, including some cameras that are built into your phone. The camera is simply a very small unit that records video. But that video does not have the quality of a high definition (HD) camera. It is, of course, possible to make a digital camera that is capable of recording high definition video. But the quality of a high definition camera is much more than that. If you plan to use any of the video editing software available today (which includes Adobe Premiere Pro, Adobe After Effects, and many others), you will see a lot of the advantages offered by software that only record in 1080p or 4K resolution. If you intend to use that software to edit video, consider buying a digital camera with a resolution in the same range as the camera’s resolution. Some of them are available to purchase online or at specialty stores. I usually buy a digital camera with resolution just like this. At any rate, the video quality has been impressive for video-producing photographers at this price point. (Although it is better to have the quality of a film, but I do not see it as a serious issue).
For me, the most important aspect of the camera is what is known as a sensor. A video camera’s sensor is used to record video (or other recording form) from each video capture, much like a film camera’s sensor captures images from a single frame. A video camera’s sensor has many moving parts that must be precisely aligned so that it captures and records video (the recording). The motion of the sensor also affects the quality of the resulting video. If the sensor is moved and/or the recording time is too long, the camera’s recording time is significantly less than if the sensor was stationary. On my review camera, the sensor moved a bit, but when I shot long exposures, only slightly. If all of my shots were long exposure at a time, it could give a video that looked too good to be true. If so, I’d stop shooting altogether. (For me, I could easily get the sensor moving or recording by
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