The answer is in the notes and their harmonics.
The harmonics are the frequencies of the strings. The notes played by both violins and violas are all similar.
The note that the viola plays is the high note, which is the first note to the right after the C (or B). The note that the violin plays is the low note, which is after the B.
So Viola gives a very high F2 (a F2 is a G2, an E2, a A2, and an A2, but those are all different scales) and Viola gives a very low Fm2 (a F1 or G1 is a B1, an F2 is a C1). Viola has a very high F#, which is a F3.
The notes that the viola is played upon are, in fact, quite different.
One note is the middle note of the scale. This is the same interval as a C (or B, or F) plays on the high note. This note is D (or C, or Eb), which is also played on the low note of the scale. D and E on the low note are both G (or E, or A, or D).
These 4 notes can be expressed as a scale:
The interval between the Ds and the Es (the root note) is 9th of an octave. This interval is 5 semitones, or 3 semitones per octave. This is roughly the interval between C and B on the guitar, or B and A on the banjo.
For some scale, we can express just the note that the viola notes are played on.
This is the frequency scale.
So the frequency scale is not as complex as the note scale.
So what is this difference?
The frequency scale is more complicated for a reason:
The notes that the violin or viola plays are a more complex harmonic series than the notes that you can learn with classical music theory.
To simplify, let’s say that you know 7 notes, and you apply these notes to the same scale.
So if the scale was C, then you would learn all the C’s on the C scale, and so on down to your first A!
But what if we wanted to learn the Cs, Gs, As and the G7s
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