Well, I like the look of it with these head shapes, but I use different shades depending on the weather. With the grey weather I just use a darker shade of grey to try and create a cooler, darker tone to make it look like you’re wearing darker clothes on top. I don’t like the colours on white, dark colours, brown and so on, all that sort of stuff.
There’s also this question of what do you get for being so creative – for finding a way to go against tradition in a way that isn’t obvious. And how do you find that balance between trying to be original and not being too obvious?
You have to think: what’s the most obvious thing about the look? When I wear this look in a show I have to think of the most obvious thing that’s already done. A lot of it comes down to the style of the artist and the style of the model. For example, the way that I draw the eyes is very deliberate and I’ve always tried to put a little bit of interest from that eye up front because there’s so much interest in that eye. And that is the first thing that comes into focus. The most obvious thing about what I do, which is quite a lot, is that I don’t want to make anything quite obvious on your face. You have to get really, really good at it, which is very difficult.
I’m in the studio and I get some very serious lines across my face. I’ll have a very defined line that runs across my face from my eyebrow all the way down to my chin.
The same thing, but I also have to give something subtle from my hairline on top, making it look somewhat defined and slightly more voluminous. It’s something I have to do a lot to make this look even more obvious. It’s also very important to have interesting angles on the eyes, because it’s a very difficult look to make sure that you’re getting the right angle on the eyes. We’ve done it a couple of times – I don’t usually say anything funny, but I always think: is that the angle? Is that the right angle? And then I just cut that off, so that there’s nothing on the back too.
So, you’ve got a few different things to think about with each image and you’re constantly making those decisions, not just when choosing colours and shapes, but when you choose what kind of style the person wears. How do you
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