It means the character may be on a path and want to go there. It’s important since that action will ultimately determine the outcome of the character. It becomes a good time to draw some character interaction with another character, or even the general theme of the scene. It’s not always important when it’s your second character, though. That is when the action tends to move on. You can draw characters doing things. Just think of “character interaction,” “character progression,” or “character action.” When you’re a first-time artist, you will most likely have trouble with the idea of action, even if you’ve drawn a scene before. Sometimes drawing action is done for a reason. Perhaps you see it as a way to give an idea of what might happen. Maybe the character is trying to make something happen and it doesn’t always work, so you draw it. Other times, drawing action means you need a scene to start the action. If your character is still stuck, draw it. When your character is progressing, you can continue by drawing some of the characters’ activities. This continues the drawing and gets you an idea of what’s happening in the scene, which is useful in determining the next path they are on. But don’t worry about it too much. Just draw whatever it is you want in a scene that is not drawing a specific character. Just keep drawing the scene. As you do this, you’ll find that even when moving on to a new scene, you can keep drawing the same thing in different situations. The more you draw scenes, the more you’ll learn about the character’s progressions while also getting an idea of what that character will need to accomplish. As you learn the story and find out more about your character, the more you can draw them and the more important drawing action will be to the future of your character.
To answer some of these questions, imagine this. You have a scene and a character that are at a crossroads. The scene is a road, and your character has one way to take that. Let’s say you choose the course of the road and continue in the scene, but in a different way. If you decide to go off-road or to take a non-standard way, your character will continue in the story until they figure out, “Maybe this isn’t a good route.” Or they may decide to change their plans, going down another way. This choice may be a choice for the character — taking the non-standard way may save their life —
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